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John Coltrane: 1960-1964 Mono (Rhino High Fidelity) Vinyl [6LP]
AAA Cut From The Original Mono Master Tapes By Kevin Gray
Pressed On 180-Gram Heavyweight Vinyl At Optimal
Heavyweight Glossy Gatefold Jackets
Housed In A Sierra Linen Book Cloth Wrapped and Foil Stamped SlipcaseÂ
Features Rare Photos And Detailed Liner Notes By Syd Schwartz
Limited & Numbered To 2,000
Exclusively At Rhino.comÂ
John Coltraneâs impact on modern music is immeasurable. The saxophonistâs groundbreaking work at Atlantic Records in the early 1960s helped expand the language of jazz and redefine the possibilities of improvisation. In honor of Coltraneâs upcoming centennial next year, Rhino is starting the celebration early on with a vinyl boxed set featuring six albums in mono, reissued as part of the acclaimed Rhino High Fidelity series.
JOHN COLTRANE: 1960-1964 MONO (RHINO HIGH FIDELITY) brings together GIANT STEPS, COLTRANE JAZZ, MY FAVORITE THINGS, OLĂ COLTRANE, COLTRANE PLAYS THE BLUES, and COLTRANEâS SOUND.
Few artists have altered the course of music as profoundly as Coltrane. From his early
collaborations with Miles Davis and Thelonious Monk to his revolutionary work as a bandleader, Coltraneâs relentless pursuit of new ideas reshaped jazz. His years at Atlantic captured a creative surge that bridged tradition and transformation and were followed by recordings that revealed a spiritual depth that defined his later work. As his centennial approaches, Coltraneâs legacy remains a benchmark for artistic courage and innovation.
Coltrane started sessions for his first Atlantic album right after playing on Davisâs masterpiece, Kind of Blue. Released in early 1960, GIANT STEPS introduced the âColtrane Changes,â a revolutionary approach to chords still studied today. From the tenderness of âNaimaâ to the hard swing of âMr. P.C.,â the album captures his blend of precision and lyricism. Inducted into the GRAMMY Âź Hall of Fame in 2001, GIANT STEPS is one of jazzâs most influential albums.
Building on the innovations of its predecessor, COLTRANE JAZZ (January 1961) shows him
working with greater openness and flow. Featuring the fluid motion of âLike Sonnyâ and the
contemplative phrasing of âVillage Blues,â it offers early glimpses of the sound Coltrane would soon achieve with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin
Jonesâthe classic quartet that would define the remainder of his Atlantic years.
MY FAVORITE THINGS (March 1961) marked a major turning point for Coltrane, featuring his
debut on soprano saxophone and a modal approach that opened new harmonic and emotional
space in his music. His hypnotic interpretation of the Rodgers and Hammerstein title track
became an unexpected hit, while standards like âSummertimeâ and âEvery Time We Say
Goodbyeâ showcased the expressive depth of his new quartet.
Drawing on Spanish and North African influences, Coltrane expanded his modal explorations on
OLĂ COLTRANE (November 1961). The extended title track, driven by two bassists and highlighted by Eric Dolphyâs flute, created a mesmerizing energy that pushed his quartet into new territory. The result was one of his most adventurous Atlantic recordings, bridging the freedom of his later work with the lyricism of this era.
COLTRANE PLAYS THE BLUES (1962) turns the blues form into a framework for harmonic invention and rhythmic interplay. Each track reveals a different facet of his sound, from the open dialogue of âBlues to Elvinâ to the assertive drive of âMr. Day.â Beneath its stripped-down surface lies some of Coltraneâs most direct and vital playing of the Atlantic years.
Majestic and deeply expressive, COLTRANEâS SOUND (1964) distills the emotion of this period into six focused performances that balance structure and range. From the brooding power of
âEquinoxâ to the wistful lyricism of âCentral Park West,â it captures Coltrane refining his voice with renewed clarity and purpose. As Schwartz says in the liner notes, âHe wasnât aiming for perfection; he was aiming for truth.â
1960-1964 MONO (RHINO HIGH FIDELITY)
LP Track Listing
Giant Steps (1960)
Side One
1. âGiant Stepsâ
2. âCousin Maryâ
3. âCountdownâ
4. âSpiralâ
Side Two
1. âSyeedaâs Song Fluteâ
2. âNaimaâ
3. âMr. P.C.â
Coltrane Jazz (1961)
Side One
1. âLittle Old Ladyâ
2. âVillage Bluesâ
3. âMy Shining Hourâ
4. âFifth Houseâ
Side Two
5. âHarmoniqueâ
6. âLike Sonnyâ
7. âIâll Wait And Prayâ
8. âSome Other Bluesâ
My Favorite Things (1961)
Side One
1. âMy Favorite Thingsâ
2. âEverytime We Say Goodbyeâ
Side Two
1. âSummertimeâ
2. âBut Not For Meâ
Olé Coltrane (1961)
Side One
1. âOlĂ©â
Side Two
1. âDahomey Danceâ
2. âAishaâ
Coltrane Plays The Blues (1962)
Side One
1. âBlues To Elvinâ
2. âBlues To Bechetâ
3. âBlues To Youâ
Side Two
1. âMr. Dayâ
2. âMr. Symsâ
3. âMr. Knightâ
Coltraneâs Sound (1964)
Side One
1. âThe Night Has A Thousand Eyesâ
2. âCentral Park Westâ
3. âLiberiaâ
Side Two
1. âBody And Soulâ
2. âEquinoxâ
3. âSatelliteâ
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John Coltrane: 1960-1964 Mono (Rhino High Fidelity) Vinyl [6LP]
AAA Cut From The Original Mono Master Tapes By Kevin Gray
Pressed On 180-Gram Heavyweight Vinyl At Optimal
Heavyweight Glossy Gatefold Jackets
Housed In A Sierra Linen Book Cloth Wrapped and Foil Stamped SlipcaseÂ
Features Rare Photos And Detailed Liner Notes By Syd Schwartz
Limited & Numbered To 2,000
Exclusively At Rhino.comÂ
John Coltraneâs impact on modern music is immeasurable. The saxophonistâs groundbreaking work at Atlantic Records in the early 1960s helped expand the language of jazz and redefine the possibilities of improvisation. In honor of Coltraneâs upcoming centennial next year, Rhino is starting the celebration early on with a vinyl boxed set featuring six albums in mono, reissued as part of the acclaimed Rhino High Fidelity series.
JOHN COLTRANE: 1960-1964 MONO (RHINO HIGH FIDELITY) brings together GIANT STEPS, COLTRANE JAZZ, MY FAVORITE THINGS, OLĂ COLTRANE, COLTRANE PLAYS THE BLUES, and COLTRANEâS SOUND.
Few artists have altered the course of music as profoundly as Coltrane. From his early
collaborations with Miles Davis and Thelonious Monk to his revolutionary work as a bandleader, Coltraneâs relentless pursuit of new ideas reshaped jazz. His years at Atlantic captured a creative surge that bridged tradition and transformation and were followed by recordings that revealed a spiritual depth that defined his later work. As his centennial approaches, Coltraneâs legacy remains a benchmark for artistic courage and innovation.
Coltrane started sessions for his first Atlantic album right after playing on Davisâs masterpiece, Kind of Blue. Released in early 1960, GIANT STEPS introduced the âColtrane Changes,â a revolutionary approach to chords still studied today. From the tenderness of âNaimaâ to the hard swing of âMr. P.C.,â the album captures his blend of precision and lyricism. Inducted into the GRAMMY Âź Hall of Fame in 2001, GIANT STEPS is one of jazzâs most influential albums.
Building on the innovations of its predecessor, COLTRANE JAZZ (January 1961) shows him
working with greater openness and flow. Featuring the fluid motion of âLike Sonnyâ and the
contemplative phrasing of âVillage Blues,â it offers early glimpses of the sound Coltrane would soon achieve with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin
Jonesâthe classic quartet that would define the remainder of his Atlantic years.
MY FAVORITE THINGS (March 1961) marked a major turning point for Coltrane, featuring his
debut on soprano saxophone and a modal approach that opened new harmonic and emotional
space in his music. His hypnotic interpretation of the Rodgers and Hammerstein title track
became an unexpected hit, while standards like âSummertimeâ and âEvery Time We Say
Goodbyeâ showcased the expressive depth of his new quartet.
Drawing on Spanish and North African influences, Coltrane expanded his modal explorations on
OLĂ COLTRANE (November 1961). The extended title track, driven by two bassists and highlighted by Eric Dolphyâs flute, created a mesmerizing energy that pushed his quartet into new territory. The result was one of his most adventurous Atlantic recordings, bridging the freedom of his later work with the lyricism of this era.
COLTRANE PLAYS THE BLUES (1962) turns the blues form into a framework for harmonic invention and rhythmic interplay. Each track reveals a different facet of his sound, from the open dialogue of âBlues to Elvinâ to the assertive drive of âMr. Day.â Beneath its stripped-down surface lies some of Coltraneâs most direct and vital playing of the Atlantic years.
Majestic and deeply expressive, COLTRANEâS SOUND (1964) distills the emotion of this period into six focused performances that balance structure and range. From the brooding power of
âEquinoxâ to the wistful lyricism of âCentral Park West,â it captures Coltrane refining his voice with renewed clarity and purpose. As Schwartz says in the liner notes, âHe wasnât aiming for perfection; he was aiming for truth.â
1960-1964 MONO (RHINO HIGH FIDELITY)
LP Track Listing
Giant Steps (1960)
Side One
1. âGiant Stepsâ
2. âCousin Maryâ
3. âCountdownâ
4. âSpiralâ
Side Two
1. âSyeedaâs Song Fluteâ
2. âNaimaâ
3. âMr. P.C.â
Coltrane Jazz (1961)
Side One
1. âLittle Old Ladyâ
2. âVillage Bluesâ
3. âMy Shining Hourâ
4. âFifth Houseâ
Side Two
5. âHarmoniqueâ
6. âLike Sonnyâ
7. âIâll Wait And Prayâ
8. âSome Other Bluesâ
My Favorite Things (1961)
Side One
1. âMy Favorite Thingsâ
2. âEverytime We Say Goodbyeâ
Side Two
1. âSummertimeâ
2. âBut Not For Meâ
Olé Coltrane (1961)
Side One
1. âOlĂ©â
Side Two
1. âDahomey Danceâ
2. âAishaâ
Coltrane Plays The Blues (1962)
Side One
1. âBlues To Elvinâ
2. âBlues To Bechetâ
3. âBlues To Youâ
Side Two
1. âMr. Dayâ
2. âMr. Symsâ
3. âMr. Knightâ
Coltraneâs Sound (1964)
Side One
1. âThe Night Has A Thousand Eyesâ
2. âCentral Park Westâ
3. âLiberiaâ
Side Two
1. âBody And Soulâ
2. âEquinoxâ
3. âSatelliteâ
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
AAA Cut From The Original Mono Master Tapes By Kevin Gray
Pressed On 180-Gram Heavyweight Vinyl At Optimal
Heavyweight Glossy Gatefold Jackets
Housed In A Sierra Linen Book Cloth Wrapped and Foil Stamped SlipcaseÂ
Features Rare Photos And Detailed Liner Notes By Syd Schwartz
Limited & Numbered To 2,000
Exclusively At Rhino.comÂ
John Coltraneâs impact on modern music is immeasurable. The saxophonistâs groundbreaking work at Atlantic Records in the early 1960s helped expand the language of jazz and redefine the possibilities of improvisation. In honor of Coltraneâs upcoming centennial next year, Rhino is starting the celebration early on with a vinyl boxed set featuring six albums in mono, reissued as part of the acclaimed Rhino High Fidelity series.
JOHN COLTRANE: 1960-1964 MONO (RHINO HIGH FIDELITY) brings together GIANT STEPS, COLTRANE JAZZ, MY FAVORITE THINGS, OLĂ COLTRANE, COLTRANE PLAYS THE BLUES, and COLTRANEâS SOUND.
Few artists have altered the course of music as profoundly as Coltrane. From his early
collaborations with Miles Davis and Thelonious Monk to his revolutionary work as a bandleader, Coltraneâs relentless pursuit of new ideas reshaped jazz. His years at Atlantic captured a creative surge that bridged tradition and transformation and were followed by recordings that revealed a spiritual depth that defined his later work. As his centennial approaches, Coltraneâs legacy remains a benchmark for artistic courage and innovation.
Coltrane started sessions for his first Atlantic album right after playing on Davisâs masterpiece, Kind of Blue. Released in early 1960, GIANT STEPS introduced the âColtrane Changes,â a revolutionary approach to chords still studied today. From the tenderness of âNaimaâ to the hard swing of âMr. P.C.,â the album captures his blend of precision and lyricism. Inducted into the GRAMMY Âź Hall of Fame in 2001, GIANT STEPS is one of jazzâs most influential albums.
Building on the innovations of its predecessor, COLTRANE JAZZ (January 1961) shows him
working with greater openness and flow. Featuring the fluid motion of âLike Sonnyâ and the
contemplative phrasing of âVillage Blues,â it offers early glimpses of the sound Coltrane would soon achieve with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin
Jonesâthe classic quartet that would define the remainder of his Atlantic years.
MY FAVORITE THINGS (March 1961) marked a major turning point for Coltrane, featuring his
debut on soprano saxophone and a modal approach that opened new harmonic and emotional
space in his music. His hypnotic interpretation of the Rodgers and Hammerstein title track
became an unexpected hit, while standards like âSummertimeâ and âEvery Time We Say
Goodbyeâ showcased the expressive depth of his new quartet.
Drawing on Spanish and North African influences, Coltrane expanded his modal explorations on
OLĂ COLTRANE (November 1961). The extended title track, driven by two bassists and highlighted by Eric Dolphyâs flute, created a mesmerizing energy that pushed his quartet into new territory. The result was one of his most adventurous Atlantic recordings, bridging the freedom of his later work with the lyricism of this era.
COLTRANE PLAYS THE BLUES (1962) turns the blues form into a framework for harmonic invention and rhythmic interplay. Each track reveals a different facet of his sound, from the open dialogue of âBlues to Elvinâ to the assertive drive of âMr. Day.â Beneath its stripped-down surface lies some of Coltraneâs most direct and vital playing of the Atlantic years.
Majestic and deeply expressive, COLTRANEâS SOUND (1964) distills the emotion of this period into six focused performances that balance structure and range. From the brooding power of
âEquinoxâ to the wistful lyricism of âCentral Park West,â it captures Coltrane refining his voice with renewed clarity and purpose. As Schwartz says in the liner notes, âHe wasnât aiming for perfection; he was aiming for truth.â
1960-1964 MONO (RHINO HIGH FIDELITY)
LP Track Listing
Giant Steps (1960)
Side One
1. âGiant Stepsâ
2. âCousin Maryâ
3. âCountdownâ
4. âSpiralâ
Side Two
1. âSyeedaâs Song Fluteâ
2. âNaimaâ
3. âMr. P.C.â
Coltrane Jazz (1961)
Side One
1. âLittle Old Ladyâ
2. âVillage Bluesâ
3. âMy Shining Hourâ
4. âFifth Houseâ
Side Two
5. âHarmoniqueâ
6. âLike Sonnyâ
7. âIâll Wait And Prayâ
8. âSome Other Bluesâ
My Favorite Things (1961)
Side One
1. âMy Favorite Thingsâ
2. âEverytime We Say Goodbyeâ
Side Two
1. âSummertimeâ
2. âBut Not For Meâ
Olé Coltrane (1961)
Side One
1. âOlĂ©â
Side Two
1. âDahomey Danceâ
2. âAishaâ
Coltrane Plays The Blues (1962)
Side One
1. âBlues To Elvinâ
2. âBlues To Bechetâ
3. âBlues To Youâ
Side Two
1. âMr. Dayâ
2. âMr. Symsâ
3. âMr. Knightâ
Coltraneâs Sound (1964)
Side One
1. âThe Night Has A Thousand Eyesâ
2. âCentral Park Westâ
3. âLiberiaâ
Side Two
1. âBody And Soulâ
2. âEquinoxâ
3. âSatelliteâ












