![Blues For Allah (Steven Wilson Remix) (Rhino Exclusive)[Blu-ray]](/images/officialwarnermusiccanada.shop/images/product/blues-for-allah-steven-wilson-remix-rhino-exclusiveblu-ray-1.png)
Blues For Allah (Steven Wilson Remix) (Rhino Exclusive)[Blu-ray]
Features four new mixes of the album by acclaimed producer Steven Wilson: Dolby Atmos, 5.1 surround, hi-resolution stereo, and an instrumental mix.
Limited To 3,000
Exclusive To Rhino.com
The whole idea was to get back to that band thing, where the band makes the main contribution to the evolution of the material. - Jerry Garcia
BLUES FOR ALLAH is the Deadâs unique vision, a deeply humane parable that framed their own artistic renewal in the most inclusive, expansive terms. Fifty years later, it remains one of their most musically successful and resolutely experimental albums. - Nicholas G. Meriwether, Executive Director of the Grateful Dead Studies Association, BLUES FOR ALLAH (50TH ANNIVERSARY DELUXE EDITION) Liner Note Writer
When the Grateful Dead took a self-imposed hiatus in 1974 after their farewell run at Winterland, they left the road with no clear sense of whenâor ifâtheyâd return. A year later, the band surprised everyone when they reemerged with BLUES FOR ALLAH, one of the most forward-thinking, sonically adventurous albums of their career.
BLUES FOR ALLAH saw the Grateful Dead attempt something they never had beforeâand never would again. They would make the record almost entirely without pre-written material.Â
Working at Bobby Weirâs home studioâjust big enough to hold the band and their gearâthe sessions took on an intimate, exploratory feel. Robert Hunter was back in the thick of it, writing lyrics on the spot as the songs took shape. Keith Godchauxâs keys gave the album its spacious texture, while Donna Jeanâs harmony vocals elevated songs like âThe Music Never Stopped.â âCrazy Fingersâ became, in Phil Leshâs words, âa marvelous essay in smoky ambiguity.â The mostly instrumental title suite pushed even further out, with Bill Kreutzmann saying it âbordered on acid-jazz composition.â Mickey Hartâs role was central, weaving percussionâand slowed-down field recordings of cricketsâinto a rich, immersive tapestry of sound.
ATMOS
5.1 Mix
Stereo Remix
Instrumental Remix (Stereo)
- Help On The Way / Slipknot!
- Franklinâs Tower
- King Solomonâs Marbles
Part I: Stronger Than Dirt
Part II: Milkinâ The Turkey
- The Music Never Stopped
- Crazy Fingers
- Sage & Spirit
- Blues For Allah
Blues For Allah
Sand Castles & Glass Camels
Unusual Occurrences In The Desert
-Stereo Bonus Tracks-
- Franklinâs Tower (Alternate Vocals)
- Blues For Allah (Alternate Take)Â
Blues For AllahÂ
Sand Castles & Glass Camels
Unusual Occurrences In The DesertÂ
Blues For Allah (Steven Wilson Remix) (Rhino Exclusive)[Blu-ray]
Features four new mixes of the album by acclaimed producer Steven Wilson: Dolby Atmos, 5.1 surround, hi-resolution stereo, and an instrumental mix.
Limited To 3,000
Exclusive To Rhino.com
The whole idea was to get back to that band thing, where the band makes the main contribution to the evolution of the material. - Jerry Garcia
BLUES FOR ALLAH is the Deadâs unique vision, a deeply humane parable that framed their own artistic renewal in the most inclusive, expansive terms. Fifty years later, it remains one of their most musically successful and resolutely experimental albums. - Nicholas G. Meriwether, Executive Director of the Grateful Dead Studies Association, BLUES FOR ALLAH (50TH ANNIVERSARY DELUXE EDITION) Liner Note Writer
When the Grateful Dead took a self-imposed hiatus in 1974 after their farewell run at Winterland, they left the road with no clear sense of whenâor ifâtheyâd return. A year later, the band surprised everyone when they reemerged with BLUES FOR ALLAH, one of the most forward-thinking, sonically adventurous albums of their career.
BLUES FOR ALLAH saw the Grateful Dead attempt something they never had beforeâand never would again. They would make the record almost entirely without pre-written material.Â
Working at Bobby Weirâs home studioâjust big enough to hold the band and their gearâthe sessions took on an intimate, exploratory feel. Robert Hunter was back in the thick of it, writing lyrics on the spot as the songs took shape. Keith Godchauxâs keys gave the album its spacious texture, while Donna Jeanâs harmony vocals elevated songs like âThe Music Never Stopped.â âCrazy Fingersâ became, in Phil Leshâs words, âa marvelous essay in smoky ambiguity.â The mostly instrumental title suite pushed even further out, with Bill Kreutzmann saying it âbordered on acid-jazz composition.â Mickey Hartâs role was central, weaving percussionâand slowed-down field recordings of cricketsâinto a rich, immersive tapestry of sound.
ATMOS
5.1 Mix
Stereo Remix
Instrumental Remix (Stereo)
- Help On The Way / Slipknot!
- Franklinâs Tower
- King Solomonâs Marbles
Part I: Stronger Than Dirt
Part II: Milkinâ The Turkey
- The Music Never Stopped
- Crazy Fingers
- Sage & Spirit
- Blues For Allah
Blues For Allah
Sand Castles & Glass Camels
Unusual Occurrences In The Desert
-Stereo Bonus Tracks-
- Franklinâs Tower (Alternate Vocals)
- Blues For Allah (Alternate Take)Â
Blues For AllahÂ
Sand Castles & Glass Camels
Unusual Occurrences In The DesertÂ
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Features four new mixes of the album by acclaimed producer Steven Wilson: Dolby Atmos, 5.1 surround, hi-resolution stereo, and an instrumental mix.
Limited To 3,000
Exclusive To Rhino.com
The whole idea was to get back to that band thing, where the band makes the main contribution to the evolution of the material. - Jerry Garcia
BLUES FOR ALLAH is the Deadâs unique vision, a deeply humane parable that framed their own artistic renewal in the most inclusive, expansive terms. Fifty years later, it remains one of their most musically successful and resolutely experimental albums. - Nicholas G. Meriwether, Executive Director of the Grateful Dead Studies Association, BLUES FOR ALLAH (50TH ANNIVERSARY DELUXE EDITION) Liner Note Writer
When the Grateful Dead took a self-imposed hiatus in 1974 after their farewell run at Winterland, they left the road with no clear sense of whenâor ifâtheyâd return. A year later, the band surprised everyone when they reemerged with BLUES FOR ALLAH, one of the most forward-thinking, sonically adventurous albums of their career.
BLUES FOR ALLAH saw the Grateful Dead attempt something they never had beforeâand never would again. They would make the record almost entirely without pre-written material.Â
Working at Bobby Weirâs home studioâjust big enough to hold the band and their gearâthe sessions took on an intimate, exploratory feel. Robert Hunter was back in the thick of it, writing lyrics on the spot as the songs took shape. Keith Godchauxâs keys gave the album its spacious texture, while Donna Jeanâs harmony vocals elevated songs like âThe Music Never Stopped.â âCrazy Fingersâ became, in Phil Leshâs words, âa marvelous essay in smoky ambiguity.â The mostly instrumental title suite pushed even further out, with Bill Kreutzmann saying it âbordered on acid-jazz composition.â Mickey Hartâs role was central, weaving percussionâand slowed-down field recordings of cricketsâinto a rich, immersive tapestry of sound.
ATMOS
5.1 Mix
Stereo Remix
Instrumental Remix (Stereo)
- Help On The Way / Slipknot!
- Franklinâs Tower
- King Solomonâs Marbles
Part I: Stronger Than Dirt
Part II: Milkinâ The Turkey
- The Music Never Stopped
- Crazy Fingers
- Sage & Spirit
- Blues For Allah
Blues For Allah
Sand Castles & Glass Camels
Unusual Occurrences In The Desert
-Stereo Bonus Tracks-
- Franklinâs Tower (Alternate Vocals)
- Blues For Allah (Alternate Take)Â
Blues For AllahÂ
Sand Castles & Glass Camels
Unusual Occurrences In The DesertÂ












